Hyperlink: https://tecfa.unige.ch/cmn25/
When Might 28, 2025 – Might 30, 2025
The place Geneva
Submission Deadline Jan 15, 2025
Notification Due Mar 3, 2025
Last Model Due Mar 24, 2025
Classes synthetic intelligence narrative NLP digital storytelling
Name For Papers
eighth Worldwide Workshop on Computational Fashions of Narrative (CMN’25)
Advancing the Science of Narrative
—IMPORTANT DATES—
January 15, 2025. Submission deadline.
March 3, 2025. Notification of acceptance.
March 24, 2025. Last Variations Due.
Might 28- Might 30, 2025. Workshop in Geneva, Switzerland.
—WORKSHOP AIMS—
The Computational Fashions of Narrative (CMN) workshop collection is devoted to advancing the computationally-grounded scientific research of narrative, an important facet of human expertise used for communication, persuasion, rationalization, and leisure. Narrative, or storytelling, is a symbolic exercise that imitates human actions by way of emplotment, representing discordant occasions by way of concordance. From myths to histories, narratives are ubiquitous throughout time, making understanding narrative intelligence important to comprehending human intelligence. Narrative research, aka narratology, has its root in Aristotle’s Poetics, thriving within the wake of the French New Rhetoric, the place Todorov first coined “narratology” in 1969 to theorize narrative grammar primarily based on structuralist linguistics. Regardless of criticism for its formalism and discount, this attribute permits the intersection of laptop science and poetics, offering varied buildings for computational modeling.
Laptop scientists have lengthy tapped into the three-act construction, Freitag’s pyramid, Propp’s morphology, and Campbell’s or Vogler’s hero’s journey. Giant Language Fashions (LLMs) boast their breakthrough in producing narratives, betraying traces of the buildings talked about above. Programs for narrative evaluation and manufacturing are more and more embedded in units and processes, influencing decision-making in venues as numerous as politics, economics, intelligence, and cultural manufacturing. To be able to respect this affect, it’s changing into more and more clear that analysis should deal with the technical implementation of narrative techniques, the theoretical bases of those frameworks, and our common understanding of narrative at a number of ranges, from the philosophical and cognitive affect of narratives to our means to mannequin narrative responses computationally.
We invite and encourage submissions both as full papers or place papers, by way of the workshop’s web site:
https://tecfa.unige.ch/cmn25/
Full papers ought to comprise unique analysis and be between 8 and 16 pages; place papers can report on work-in-progress, analysis plans or tasks and have to suit inside eight pages. Accepted papers will probably be printed in open entry (Gold Highway), freed from cost.
—ILLUSTRATIVE TOPICS AND QUESTIONS—
- What are applicable formal or computational representations for narrative?
- How is narrative data captured and represented?
- Is narrative construction common, or are there systematic variations in narratives from completely different cultures?
- What makes narrative completely different from a listing of occasions or details?
- What contains the set of attainable narrative arcs? Is there such a set?
- How do conceptions and fashions of spatiality or temporality affect narrative and cognitive techniques?
- What are the small print of the connection between narrative and language, picture, or sound?
- How are narratives affected by the media used to convey them?
- How far are we from a mannequin of narrative adaptation throughout media?
- How can we research narrative from a cognitive viewpoint?
- Can narrative be subsumed by present fashions of higher-level cognition, or does it require new approaches?
- How do narratives mediate our cognitive experiences, or have an effect on our cognitive talents?
- How can narrative techniques be utilized to problem-solving?
- What are the small print of the connection between narrative and customary sense?
- How ought to we consider computational and formal fashions of narrative?
- What shared assets are required for the computational research of narrative? What ought to a “Story Financial institution” comprise?
- How are narratives listed and retrieved? Is there a common scheme for encoding episodic data?
- What shared assets and instruments can be found, or how can already-existent assets be tailored to the research of narrative?
—ORGANIZING COMMITTEE—
- Fanfan Chen (Nationwide Taipei College of Enterprise, Taiwan)
- Antonio Lieto (College of Salerno, Italy)
- Rémi Ronfard (Inria, LJK, College of Grenoble, France)
- Nicolas Szilas (College of Geneva, Switzerland)
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